The main theme was used during the end credits. The duo recorded two versions of the song, the main theme and another subtitled "Mission Accomplished". In 1996, the theme was remade by U2 members Adam Clayton and Larry Mullen Jr. "Theme from Mission: Impossible" on YouTube Single by Adam Clayton and Larry Mullen Jr.įrom the album Mission: Impossible: Music from and Inspired by the Motion Picture Track listing 7" SingleĪdam Clayton and Larry Mullen Jr. The Clayton and Mullen version was also nominated for the same award in the same edition. Schifrin's version, as performed with the London Philharmonic Orchestra, received a nomination for the Grammy Award for Best Pop Instrumental Performance for the 39th Grammy Awards held in 1997. The theme won for the Best Instrumental Theme at the 10th Grammy Awards held on February 29, 1968. Spock's Music From Outer Space (Nimoy did not perform on the song). Also in that year, two years before Leonard Nimoy began playing the role of Paris in Mission Impossible, the theme appeared on the album Leonard Nimoy Presents Mr. The original single release peaked at number 41 on the Billboard Hot 100 and 19 on the magazine's Adult Contemporary chart in 1967. I came out humming that tune." Reception "Lalo interrupted the band and said, 'no, no, it should be like this.' They resumed and before we could say anything, they had recorded it. "Lalo raised his wand to the musicians and I heard 'dun dun, da da, dun dun, da da' for the first time, and it was deafening," Landau recalled. The actor Martin Landau, who played the character Rollin Hand on the show, attended the recording session for the theme song. And that’s the way it came.” He said he estimated writing it in about three minutes. Schifrin's working title for the song was "Burning Fuse." Schifrin alluded to the writing process to writing a letter “When you write a letter, you don’t have to think what grammar or what syntaxes you’re going to use, you just write a letter. The first notes of the theme are played by a flute using a trill. " if a dot is one beat and a dash is one and a half beats, then this gives a bar of five beats, exactly matching the underlying rhythm.
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Schifrin started from the Morse code for M.I. versionĤ time signature, which Schifrin has jokingly explained as being "for people who have five legs".
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